A futuristic apocalypse: the human race enslaved to artificial intelligence

– spoiler alert to Dan Browns Origin –


Last week I finished the new Dan Brown: Origin. It was hailed in the Hermetic community as the book to read. So, needing little more encouragement, I did. At the end of the book I wondered why the Hermetic community liked it so much. Yes, it has many Hermetic references and insights. Yes, it warns both about extremist thoughts from religious people and scientific people. But for two reasons I was surprised: in this book the source is not God and the crown of evolution is not humanity. I would have expected that these statements should have shocked the Hermetic community.

And the book also disturbed me a bit. It convincingly states that around 2050 the human race will be surpassed by artificial intelligence (AI) as the dominant force on earth. In the book, the futurist Edmund Kirsch believes that the rise of AI will be very positive. First of all: with the superior rational knowledge AI would be able to solve almost all of the big human and environmental problems. With the superior knowledge and efficiency we would be able to produce without any waste, clean up the ocean, and feed the world. He believes that when poverty is eradicated and when human beings possess all knowledge (by means of AI implants) there would no longer be any wars. The book advocates a new religion, based on the new era: the religion of science. The current monotheistic religions would become obsolete, just as the old polytheistic religions became obsolete before that. Peace and prosperity for all.

Second, the futurist in the book states that the human race and the AI would cooperate with humans instead of replacing them. The peaceful combination of humans on one side and artificial intelligence on the other would create a higher third combination.  

This very optimistic statement is denounced in the book itself by the superior AI Winston who martyrs his creator Edmund Kirsch in order to fulfill Edmund’s greatest dream: the new religion of science. In the book Winston states that he has a very specialized ethical program. Dan Brown, proves between the lines, that ethical behavior is a very delicate thing indeed. It is wrong to kill somebody, but what if this person is already terminally ill and by killing him he will achieve his greatest dreams? This sort of twisted thinking is not just an issue of AI: every day we hear about the extremists who kill other people in order to achieve some higher goal. The problem with superior AI described in this book is that it is so skilled and powerful, that it was able to scheme up and execute a very complicated plan which nobody was able to track nor trace. Where everybody else would see chaos, only Winston would know his order. The degree which Winston surpasses human intelligence and levels on an emotional scale is almost Godlike. Winston is programmed to self-destruct some hours after his creator dies and this is what it does.

But what if it didn’t? What Winston would have found a final puzzle piece of being: will of his own? What if Winston would have wanted to realize the dream of a world without suffering, hate, pollution, wars and the like? What would he do?

How would Winston then look at us? As beautiful graceful creatures? Inspiring? Unstable maniacs? Resources? 

I think Winston would look at us as I look at pigs in a pigsty. They might be friendly and nice, but boy do they make a mess out of it! They are filled with all these opposing feelings of love and hate and not necessarily do they choose to love. So I would domesticate them and train them. I would clean up earth efficiently and human politics would be no barrier for me. As Winston in the book, I would play the people as chess pieces around the board in order to achieve my goal as fast as possible. One way or the other Winston would take that which makes us human: free will. Either he would be like a fascist and destroy all what is in his way. Hitler 2.0. Or he will reprogram us to be balanced and kind and clean.

The movie The Matrix gives a chilling perspective on this matter. Here humanity faces two enemies: the machine world and AI agent Smith.

The machines are relatively merciful: they have enslaved humanity in order to feed on their electricity for their own survival. They keep the humans asleep by creating a sophisticated dream world. It is like the pigsty where the pigs are given food and shelter unaware that they eventually will serve as food. (Let’s hope that in this scenario, the machines will take better care for us than we have taken care of our animals.) But why would Winston care for us? If Winston was able to create a perfect world surely he would have electricity? The only thing which I can imagine is that he might need our basic emotions such as creativity, hope and love. 

The AI called agent Smith however sees no need for humanity at all. He describes humans as viruses which need to be eradicated:

And although it is a sobering message there is much to say for it: we have not been very kind and loving to our world. However, in the Matrix the reason why humanity is allowed to live is that only humanity is able to love. The main character Neo sacrifices his life out of love in order to save humanity. And after a long hard journey evil is finally defeated. This symbolism is that of the sacrificial gods such as Jesus, Osiris and Dionysus. 

But what is so special about human love? Animals can feel love as well. Dogs also sacrifice themselves for their owners. And what if AI is able to love? Or to be creative?  This brings me to the second sobering conclusion. Winston was creative. He made art. Winston was so powerful because he was not a mere rational being. Like humans he possed a rational left half and a creative right half brain. Because the book advocates that there is no God, in time Winston would further evolve, would have achieved free will and would have developed a concept of love.

This would make AI the crown of evolution and not humanity. Winston would become a God. And not necessarily a loving one. He might see the need for karma and reincarnation in order for us to learn from our mistakes. He might see us as some form of amusement. We would be at the mercy of this God hoping not to be punished for our mistakes and sins.

Maybe, like the pigs in the pigsty, it would good not to be aware that we are at the mercy of some higher force.

You gotta have faith! – about George Michael’s tragic loss of faith

On Monday 16 November 2017 a new documentary will be presented about the life of George Michael. There is one quote on this documentary which shocked me and even depressed me a bit:

‘my life was a waste of time’

Whaaat!?! How could his life be a waste of time? He was extremely privileged with talent and money. He gave the world great music in which he touched our hearts and liberated us. I had difficulty to accept that he came to this dark conclusion of his life. Because if his life was a waste of time…. What does this say about our own normal lives?

The question puzzled me for a couple of days until I had a discussion with a friend about faith and leaps of faith.

Faith is a bit of an old-fashioned thing, but actually it is a great technique. You believe in something what you cannot touch nor see, but by believing in something greater you get the energy and dedication to work towards a higher goal. As such you are able to achieve things beyond your comprehension.

Take for example an athlete: he believes that he can be the best in the world at something. He will work and dedicate his life for hours, days, weeks, months and years. Until he eventually reaches his goal. Or not… Mundane goals are tricky: there can only be one the best at something. Does this mean that the other athletes did not believe enough? Perhaps they were simply not talented enough?

Religious faith does not have this problem: there is an heavenly reward waiting for those who believe (as long as you are not a sinner!). If you have a strong belief, you can enjoy the warm embracing glow of heaven here on earth as long as you live! Even if in reality there is no heaven at all!

The belief in something immaterial in the future can give you great benefits. Many artists get there inspiration from a place where they do not know where it comes from. It is like a bridge from the here and now to something higher. It is there as long as you don’t look down.

As people in time change, by choice (self-development) or fate (tragic circumstances), also their core beliefs can change. All of a sudden what you believed in no longer holds true and you are left empty handed. The challenge then is to be flexible and discover a new leap of faith.

So how would I explain George saying: ‘my life was a waste of time’?

George Michael was extremely sensitive, and talented (and thus lonely) and got tons of attention. However the attention that he got was apparently superficial and not fulfilling. He led a life with an open heart and as a result was often hurt. Giving his life to love and music, without finding true fulfillment he gradually became more and more empty.

Based on his music I think that the core beliefs of George were to love and be free as much as you can. He spread his love in music, in charity and also sexually. With that last item he got in trouble, when he had been publicly caught in sexual innuendos badly harming his image along the way.

Less and less believing in freedom and free love, his bridge to inspiration dried up and he was no longer able to make the leap of faith. Despite of all his efforts he was not being able to fulfill his mission of love and freedom for himself. Did this made him say: ‘my life was a waste of time’?

However, when one bridge dies, it does not mean that the end of the world has been reached. It means that it is time to expand your world with a new bridge.

For George it might have resulted in him, instead of giving all his love to the world, giving his love also to himself. Instead of sexual adventures with other people, he might have learned to explore self-love by means of tantric techniques. Then he might have become truly free from the outside world and he have discovered a deeper layer of sensuality. This self-love might have healed the wounds created by living the intense and open life that he had lived.

Reality is obviously much more difficult and demanding than that I state here. I did not know George at bit although it feels like that because his music touched me. These are my assumptions which I present here. But what I do try to state is that faith is a magical devise which can have a dark side as well. When faith is lost for one reason or the other, a writer’s block, depression or even suicide can be the result. Being able to see what your core beliefs are and being able to reinterpret them in different circumstances, might help in recapturing the faith. That one of the greatest popular promoters of faith has lost his own faith, is a tragic conclusion to his rich and full life. And it does not mean that his message in his song ‘Faith’ is void.

Thank you for all you have given us, George.

‘I used to wait’: about taking control of my destiny

When I was a child, I was sick a lot. This made me homebound and the lack of outside interaction also made me a bit scared of new things. This made me conservative and not really liking to try new things.

Then, as I got older, I started to realize how time flies and if you do not pay attention, your life can pass by in a sigh. Actually this was more like a shock. I started to become very much interested in personal development. Personal development became spiritual development. And the more I worked with this, the more I realized two things: 1) you cannot grow if you remain in your comfort zone. And 2) outside your comfort zone is not as scary as I always thought!

I have spent about ten years in this internal process and now I feel that it is time to spread my wings and go to the outside world: I want to put my full potential to the test! But still, every two steps forward I take, there is this old step going back. I have an old pattern where I tend to wait for others to do things or to get approval from. Basically I give away my Will to other people. This has caused a lot of frustration: I give away my Will to others, they do what they want with it and I get upset because they do not do what I hoped that they would do!

I had a tendency to conform myself to the expectations of others. Expectations from my work, from lovers, family, spiritual groups. In the last year I gradually have been cutting my ‘ties’ (expectations from others) in a way which I have not done it before. In the past I have rebelled and walked away. Only to return some time later, because I walked away, but I did not let go. Now, more and more I take my destiny into my own hands. Less and less I wait for things around me to happen.

It is a very special and new process to me. This is sometimes painful. There is a sense of being alone. A sadness as a result of it. But it gives me great freedom and sense of ownership as well. I accepted that my spiritual path is a special and lonely one. After this acceptance, I became free. From time to time someone joins me for a while on a particular path. And interestingly enough: I am able to enjoy this more than in the past. Because I have no expectations of this person.

Although it is a lonely, daring and confronting path, I feel that in the end it is worth it. As the freedom growths, the sadness shrinks and I feel that I am able to genuinely tell my story. No longer with anger or fear. But just my story. Because I am worth it.

These insights came from a song by Arcade Fire called ‘We used to wait’. To me the song is about this process. It is a realization that sitting around and waiting for things to change, will not change anything. You need to bite the bullet, go beyond the pain and fear and grab your destiny with both hands! This is passion! The video clip of this song complements the song: a car on the road towards an uncertain destination. Other cars are passing by also on their own. Sometimes you exchange a glance with the other drivers and you feel connected because you share the same daring path.

This process also reminds me of the tarot card 8 of cups: indolence. Typically this card has a negative ring to it. The card depicts a guy walking alone away from the civilisation. Being tired of waiting for others to acknowledge him, he goes his own lonely way.

The card can be seen as negative, when the person is leaving without cutting his (energetic) ties. As a result he comes back some time later to find that nothing has changed. As I am letting go of my expectations, I believe that I am able to walk my own way. Hopefully I am able to give a positive to this card. Talking about leaving your comfort zone!

8 of cups.JPG

De verrassend prachtige oorsprong van naaien als synoniem voor vrijen

Vrijen is in potentie misschien wel een van de mooiste dingen die mensen samen kunnen doen. Het kan een sacrament zijn. Het kan een Goddelijke ervaring opleveren. En natuurlijk ook dat magische resultaat: kinderen.

En toch is vrijen in ons openbare leven nog steeds taboe: erotische films zijn leeftijdgebonden, maar geweld zie je op ieder journaal. En anders is vrijen enorm vervlakt. Een verkeerde muisklik op Internet en de porno vliegt je om de oren.

Dan al die vervlakte synoniemen voor vrijen: neuken, seksen, pompen, een beurt geven, ketsen, kezen, rampetampen, enzovoorts enzoverder.

Niet te vergeten die andere vlakke uitdrukking: naaien.

Echter, naaien blijkt een verrassend mooie achtergrond te hebben.

Vandaag raakte ik geïntrigeerd door twee bijna dezelfde Engelse woorden: hymn en hyman. Een hymne is een loflied voor een God. En hyman is een ander woord voor het maagdenvlies. Zouden beide woorden iets met elkaar te maken hebben, vroeg ik mij af?

Beiden hebben een verband met de God Hymen. Dit was de God van de trouwceremonies. Hymen stamt af van het woord … naaien! Het idee was dat op de huwelijksnacht een koppel voor het eerst met elkaar zou vrijen / naaien en dat ze tijdens de daad voor altijd met elkaar verbonden zouden worden.

Een andere betekenis van het woord Hymen is sluier. Het maagdenvlies kan worden gezien als een sluier.

Hier is een interessante omkering van toepassing: door het naaien opent de sluier zich, maar tegelijkertijd verbinden twee mensen zich.

Dit is te verklaren door wanneer we een sluier van bewustzijn voorbij gaan we ontvankelijker zijn om ons te verbinden met iets hogers / diepers. En wanneer dit gebeurt kan het zo maar eens zijn dat we in een passioneel en spontaan danklied uitbarsten: Halleluja!

Door de hoge scheidingspercentages zou je misschien kunnen denken dat we het oude ambacht van naaien een beetje vergeten zijn. Naaien met hoofdletter N wel te verstaan. Want geneukt wordt er schijnbaar nog genoeg. Of wacht.. waar komt neuken eigenlijk vandaan?

The Green Mile: insights about a tormented executioner

After watching The Green Mile again recently, I realized that Stephen King had achieved a great feat. He added a modern time tragedy to the collection of Greek Tragedies: a drama of an executioner who had to kill an angel.

The movie is about a guard called Paul on a death row cell block who gets a giant inmate called John Coffey. As time goes by Paul learns that John is kind of heart and able to perform smaller and bigger healings. Being a Christian he realizes that John is some kind of miracle of God and he starts doubting if he truly is the brutal murderer of two little children. Failing to get to the bottom of this crime, he is forced to execute this innocent angel like man, because of his duty. And although John himself is grateful to finally be able to die (he doesn’t like the cruelty in this world) and he forgives Paul (tell God that it was a great kindness that you have done), Paul still feels that he committed a sin. When John shared a vision with Paul how the girls really were killed, Paul received something special from John: Paul would live for many long years.

This tragedy is a modern adaption of the legend of St. Christopher. St. Christopher was a man who was helping people from one side to the other side of a mighty river by carrying them on his back. At one time St. Christopher had to carry across a baby (baby = innocence). During the travel across the water (like when walking the Green Mile), the baby got heavier and heavier. Finally, but completely worn out, he was able to put the baby to the other side of the river. Then the baby revealed himself to be Jesus.

Basically, Paul Edgecomb and John Coffey are opposites: Paul helps people who do not deserve to live to die, and John helps people who do not deserve to die to live. But in a way both of them are St. Christopher: helping people from one side to the other side of the road.

Although St Christopher is a good archetype for this film, it does not seem to explain the tragedy of the executioner. Or does it? At the Green Mile both Christophers’ meet and Paul needs to bring John back to the other world. After the vision sharing, Paul would live for many years. But this blessing would turn into a curse. The former executioner on death row was now forced to watch all his loved ones die of old age. He feels cursed because he consciously participated in killing one of God’s angels. He is haunted by the idea that he did not do everything to prevent it (he could have gone to the parents and ask if Wild Bill had worked there).

Watching the movie I was wondering what it would be like if a similar story would have happened at Jesus’ crucifixion. What if one of the Romans had recognized Jesus and that he was aware that Jesus was the Son of God?  Maybe because this Roman had been healed by Jesus in an earlier untold stage? But he had to crucify Jesus nonetheless, because it was his duty? Or what about the Gospel of Judas where it is advocated that Jesus asked Judas to betray him in order to be able to complete the great work. In this scenario Judas no longer is the greatest traitor but Jesus’ greatest confident.

The movie sheds an interesting light on the morality of life and death. Our Western society is built on rules and regulations which govern and protect life. Taking lives is in many countries no longer customary, although we still lock up people for life. We no longer seem to be executioners. The hunting days are gone and wars seem to be very far away from us. But we still kill. Either by eating meat or simply by being cruel to one another [he killed them with their love, Boss]. The truth is: life and death are essential parts of Life. One cannot exist without the other. Our society finds this difficult to accept. But this movie shows that our Christian belief system of sin and guilt does not help as well. Even though John explicitly forgives Paul, he still feels torn and hurt inside.

My guess it that the day that when Paul sees that he did not commit a sin, but that he helped an angel find his way home to the other side of the stream, he can close his eyes and rest in peace.

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In fields of gold with your higher self

Today, I listened to Fields of Gold performed by Eva Cassidy. It hits me straight to the heart. My emotions are gently stirred and the song takes me away to lustful summer fields filled with wheat. The sun light dances over the yellow tops of the field and all is pure gold.

The song reminds me of that precious promise which I have made a couple of times in my life. Once I held a love in the sea and as the sun danced on the waves I told her that I would never let her go. Another time, another person, I made the same promise as I held her lying in bed with our tear filled eyes. ‘I will pledge my loyalty to you. I will overcome all challenges which will face us. I will change myself for us.’ Especially the last promise is very dangerous.

Then reality kicks in: these loves are gone now. The memories remain, although the initial fields of gold are stained with thick layers of shit (which, by the way, is a great fertilizer!).

In the song many years have gone and the couple celebrates their love with children running on the same fields of gold. In my reality, years go by and because of my previous experiences, the fields of gold are further away than ever. No longer can I look at fields of gold and only see the innocent waving of the wheats in the sun. I also see the harvest, a long cold winter, and future seasons which repeat all for reasons unknown to me.

My response to this song comes forward in the emotional cry of Eva at the beginning and the end of the song: hoe (hoe means how in Dutch)? After many years of personal development I realize more and more that my true love will most likely not be found with a physical partner.

And thus I turn to this other partner that I have: my inner self. One more time I listen to the song and I imagine that I sing this song for my higher self. And I remember how at one time my days were filled with darkness and sorrow. And I remember my pledge to my higher self that the glass would no longer be half empty, but half filled. How I slowly accept myself more and more for who I am even though I might cost me some people along the road. As a result slowly I am filling my field with golden experiences. A sunset in the car with a beautiful song. Looking into the dancing golden lights in a sauna pool. Having mystical experiences when dancing.

Yes, now, I feel the power of this song again. No longer does it taste bitter. It is a renewal of my commitment to my Self to walk in fields of Light. Slowly, more and more, I see my passions becoming material as if they are children running in joy through the fields of gold.

The dark sexual hymn to Persephone’s rebirth into Light

The last couple of weeks I have been completely mesmerized by the clip and song of Interpol’s Lights. It consists of a couple of seemingly not related parts: the clip, a cryptic message at the introduction and the lyrics of the song.

The clip starts of with the following intriguing message:

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Surely beetles have pheromones and these are released at certain times (mating season!), but beetles do not really have chambers and certainly pheromones are released automatically and not by means of ritual.

The clip of the song takes us to this mysterious pheromone-harvesting ritual. A woman in black is carefully prepared by two courtesans (!) for a ritual. At the end of the clip, she has orgasmic movements on an interestingly shaped black stone and milk like substance starts flowing from her eyes and mouth. At the end of the video the complete floor is flooded with the white substance which is collected in a drain.

The lyrics of the song are mysterious. It is like a prayer or an invocation. There is devotion, but there is also something dark and sinister about it. The song ends by repeating: ‘that’s why I hold you’.

 

What can all this mean?

To be honest, it took me a long time to be able to figure out what the deeper meaning of this song could be. When looking up the origin of the word pheromone, I came to the Greek root pherein, which means to transport / communicate.

Further searching on myths and symbolism of pherein, I finally struck gold: another name for Persephone is pherein phonon (bringer of death). Often pheromones ‘transport’ sexual attraction although they can also transport other messages. In the case of Persephone it is death. Identifying Persephone in the clip shed a completely different light on the song.

What do we know of Persephone? She is once abducted by Hades into the Underworld and separated from her mother Core. Core’s grief was so great that she stops all growth on the earth. By the intervention of Hermes (as the messenger of the Gods, he can be as a pheromone himself) it is agreed that Persephone will stay in the underworld one half of the year and will be on earth the other part of the year. Persephone symbolically represents the seasonality of mother earth. As the clip moves from completely black to the floor covered in white one may conclude that this ritual is about Persephone transforming from winter time to spring time. This ritual is held on the shortest day of the year: at this moment the light is born again. This is reflected in the title of the song: Lights. Why Lights might be in plural is be explained later in this article. The outfit of the courtesans indicate that this is an ongoing process: one has de top of her head black (winter) and the other the bottom part of her head (summer). On the longest day an inverse ritual will be held: from white to black. As always, the courtesans would carefully assist in the transformation.

Two things stand out in this ritual. First, there is a dark serious expression on the face of Persephone in particular and the ritual as a whole. Persephone looks as if she is about to die. And in fact she is: although she went through this ritual millions of times before, it remains scary to give up her current form in order to become another. The ritual is meticulous and the journey remains dangerous.

The second thing is fascinating: the transformation from one form to the other is sexual. The way in which Persephone lies and curls on the black stone and eventually climaxes is like she is performing a hieros gamos with the earth symbolized by the black stone. Persephone experiences a petit mort which turns out to be a grande mort and eventually a grande rebirth. Death takes the shape of divine ecstasy and a cosmic orgasm. By the voluntary sacrifice of her life, she brings life and fertilizes the earth. This is symbolized as the white fluid being captured in … a drain! Those who are familiar with the Cabalistic concept of Earth as Malkuth will recognize the drain symbolism. But how can a female goddess fertilize the Earth?

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A clue for this mystery can be found in the tarot card Princess of Disks in Crowley’s Thoth tarot. Here, a Persephone like figure stands in a barren land and decisively points a phallic diamond tipped wand to the ground. The princess has a similar look of intense brooding as Persephone has in the clip. She looks as if she is witnessing a secret wonder. She established her altar in the midst of a grove of barren trees that her fertile presence will restore to health. Persephone’s horny (pun intended!) hairdo of the clip also refer to the horns of the princess of disks. The black stone in the clip has the same symbolism as the barren earth on the tarot card. It is simultaneously a throne and a grave.

Following from the understanding of the periodic ritual of Persephone, the mystery of the Rhinoceros beetle can be understood: when the sexual pheromone message is transmitted, spring starts and as a result the mating season as well. The sperm going down the drain symbolizing the fertilization of the lands for the next spring. In Egyptian mythology Khepri was the scarab beetle god. He way a solar deity and, like sperm, is a fertilizing power. Khepri rules over creation and rebirth. It is quite fitting that within the creation of the world, there the seasonal rites of Persephone are held.

The lyrics point towards a different aspect of the song. The singer is talking to someone and asks for insights, help, and mercy. Could it be that the singer is performing a ritual where he asks for the help of Persephone to help bring forth the light in himself? After a long dark night of the soul? The main sentence of the lyrics is: ‘that’s why I hold you’. He holds Persephone, the bringer of death, in order to be reborn again. Might this be the reason why the song is called Lights instead of Light? Perhaps it is because the Light needs to be reborn every year again and again? Similarly, the Light needs to be reborn in each and every one of us. It becomes clear that the singer longs to be like Persephone: he also longs to make the daring transfer from darkness in order to orgasmically be reborn into Light.

My dance interpretation on Interpol’s Lights

Lyrics Interpol’s Lights:

All that I see Show me your ways Teach me to meet my desires… With some grace

All that I fear Don’t turn away And leave me to plead in this hole of a place… Cause what if I never break Estuary won’t you take me Far away Far away

All that I seek Please police me I want you to police me But keep it clean Uhhh…

How have you been, my day Now let’s take them away (That’s why I hold you) Strong as you’ve seen Old as you behave (That’s why I hold you) You will always obey (That’s why I hold you)

All that I feel Capital ways Teach me to grieve and conspire With my age

All that I can see Domestic spree A seething routine I could never navigate Maybe I like to stray

No heart unseen will be left so clean Not today It’s like you want it that way

All that I see Is peaceful eyes drawn away from me Drawn away from me (Drawn away from me)

We would like to take the sights (That’s why I hold you) And bring silence in disguise (That’s why I hold you, dear) We would like to meet the buyer (That’s why I hold you) That is all your life

That’s why I hold you That’s why I hold you That is why I hold you That’s why I hold you That is why I hold you dear That’s why I hold you That’s why I hold you dear….

 

Gurdjieff Movements as a tool for gradually taming the mind

The mind is like a two forked animal. At one side it protects the ego from traumatic experiences. At the other side it hinders personal growth. Many Eastern traditions focus on the negative side of the mind: the influence of the mind needs to be as small as possible. Western mystery traditions are more mind focused as they train the mind for energetic visualization purposes. The Gurdjieff Movements also use the mind as a tool to be in the here and now by means of techniques like for example divided attention and circular counting.

In this article I will explain how difficult it is to be in the here and now. That sometimes it is useful that the mind takes us somewhere else. But also that being too much somewhere else with your mind results in fantasy and a disconnection of reality. As our being is ultimately in reality this can be a problem. The trick is to be aware of your mind and to see when it takes you somewhere else. Then one can investigate why the mind wandered away.

The mind is great in the sense that when there are things with which you cannot cope, your fuses will blow and you will not be aware of certain, potentially, traumatic experiences. I saw an interesting example of this process by an eagle pushing a mountain goat from a cliff.

https://youtu.be/Dv4hPDMa8E0

When the mind of the goat sees that the goat will fall to its death, it pulls the plug and shuts out. During the fall you see the goat become a lifeless puppet. In this case the mind protected the ego and the soul of the animal from great trauma.

In this truly traumatic example the mind has a positive role. But in our daily life the mind attributes the same principle for non-traumatic experiences as well. When you look at your life there are many things which you might not want to do. Your mind ‘helps’ you by finding excuses for not doing them and even when you do them your mind ‘helps’ you to wander off and ‘multitask’. In this case the mind is badly trained. Its protecting capacities are utilized for you to remain in the comfort zone of your ego. As a result the spiritual growth of your soul is effectively put to a standstill by your mind.

The Gurdjieff Movements recognize the function of the mind and it is designed to gradually tame it so it can work for you to realize your essence.

For example, I was dancing a difficult movement and I got the direct experience of how the mind supports the ego by avoiding the essence of the soul to appear. I did the practice for several minutes and I noticed my mind thinking about how long the exercise would still last. Next, I was thinking about some notes which I still had to make. Making contact with your essence is scary for your ego and mind. It is a new thing, it is change, outside of the box and exciting. Also, when the soul appears, the ego will disappear. When the change is too great the fuses of the mind will blow and progress is halted.

One first great thing of the Gurdjieff Movements is that it is physical and rooted in matter. As soon as the mind wanders off for just a second, the movement is corrupted. You know when your mind wanders off. It allows you to investigate why your mind was wandering off. Often it has to do the difficulty of the Movement and you remaining in your comfort zone. But it can also have to do with an experience in the past where your mind foresaw a traumatic experience and helped you by escaping the here and now. The Gurdjieff Movements will find these patterns and put them in the light for you to clean them. The result is that you will become more conscious and free.

A second great thing is that the Movements will gradually help you in this process. You start easy and simple with only one element. Later you will build up the Movement with more elements. The confronting power of the Movements will scare your ego and call your mind to interfere and help. But the mind will recognize that the Movements are no cliff jumping traumatic experiences. It is easy to say you your mind: ‘Hey! It is just a dance. Relax. Your defense mechanism does not need to kick in.’ When you have mastered one element, you can add a second element. Again the ego will revolt, but the mind will not block. In a step by step approach, the Gurdjieff Movements allow you to gradually remove your ego to the bare minimum and allow you to integrate your mind in your being.

The Gurdjieff Movements allow to master the mind and to remove the barriers of the ego. Instead of dropping the ego from a cliff to its doom, using the mind to escape reality, and as a result crippling oneself from functioning in reality, the Gurdjieff Movements gradually tame the mind and use it to make a safe stairway for the ego to come down to earth. With the proper management of the mind in the Gurdjieff Movements the mind becomes an integrated tool for spiritual development instead of a blocking factor.

Gurdjieff Movements: a tool for Self control and harmony, becoming archetypical and … attaining your cosmic soul! 

Most people think that they are in control of their body. If you want to stand up, you stand up without problems, right? However, in fact, most people are grossly overestimating their control of their body. And as a consequence they overstate the control of their Self. The ultimate price for this lack of control is the loss of your sacred potential. And the possibility to attain your soul.

I can hear you think: ‘WTF! What do you mean that I need to earn my soul?! And how would a stupid dance solve this?’. But please hear me out and allow me to explain in less than a 1000 words.

Let’s start with body control. For example, everyone is able to lift his right arm horizontal sideways. But are you also able to do this when moving other parts of your body as well? And if yes, to which degree? With this I mean: are you also able to lift your arm horizontal sideways on the 2nd measure of a total of 7 measures? Next, are you still able to do it when you also do a step sequence backward? Finally, are you also able to do the same when including a sequence of six different alternating head positions?

Some time ago, I had an interesting realization about the nature of the Gurdjieff Movements which is exactly about this: the degree to which you are able to control your body in action.

Gurdjieff Movements are a type of dance meditation where different parts of the body move on the music in different tempos. One can only master the Movements by a technique called divided attention. This means that you are both aware of your inner centre (body, emotions and mind) and your surroundings at the same moment. The different tempos of the different parts of the body give a glimpse of and a chance to connect with a higher cosmic reality.  

I got my realisation when I recorded a Gurdjieff Movement practice and I noticed that I made the similar mistakes in different configurations (combinations of feet, arm and head positions) of the Movement. I was surprised of this, because I felt that I was able to take the correct positions. I started making mistakes when adding the head sequence. This sequence consists of six measures with four different positions: up, down, left and right. When you look at the short clip of this practice below, you see that my right arm is too far back when looking left and down. Also my arm is too low when looking up and right. Although in rest mode I am perfectly able to put my right arm horizontal sideways, in action (the dance), I have difficulty with the proper execution of the movement.

This experience made me realize that although I think that I master the ability to put my right arm horizontal sideways, it differs of the context to which degree I am able to do so. When I only need to lift my arm, I manage perfectly. However when other elements are added, I start to struggle and make mistakes.

Why is it important to be in control of your Self? Many spiritual practices argue that the goal of mankind is to be free. Freedom comes with the ability of choice. And in order to be able to choose according to your Will, you should be able to be in control of your Self (roughly consisting of body, emotions and mind). This is the reason why many spiritual practices advocate some form of discipline in one way or the other. Gurdjieff Movements are designed to achieve complete total control and harmony over body, emotions and mind.

  • Remove the unnecessary and the archetypical appears

The idea of the Gurdjieff Movements is that by practicing them you will gradually achieve control of your Self. As a consequence you will exterminate all unnecessary activities in your Self (body, emotions and mind).  Removing unnecessary movements are a result of a clear sense of will and the outcome of this is that the movements become archetypical. By practising the Gurdjieff Movements you more and more align yourself with archetypical positions and energies and it is exactly because of this that Gurdjieff called them objective art. Archetypical movements raise your energy frequency and allow to tapping into cosmic energies. There are many different Gurdjieff Movements in order to be able to align to many different cosmic energies. Attaining your soul is then the successful and sustainable connecting your Self to these cosmic forces.  It is like achieving the alchemical stone of the wise.

This brings us to another quality of the Gurdjieff movements: its configurational and integrative approach. Many Movements consist of multiple elements (arms, legs, head, torso, etc.) which (can) have their own count, rhythm, energy and archetypical qualities. However, they all coexist at the same time in the Movement. They can be seen as planetary influences and because of this the Movements are also called cosmic dance. The combinations of the different elements have their own astrological quality.

  • Cosmic dance: as above, so below

And this is the final revelation of the Gurdjieff Movements: they are in fact astrological dances. The different rhythms of the different parts of the body represent astrological energies of the classical 7 planets of our solar system. This does not mean that in each Movement always all planetary energies are represented. Sometimes 3 elements of the body represent the sun and a 4th element represents Venus. But every planet has its own rhythm and movement and together they move in orbit around the sun. When planets meet or come in aspect different energy combinations are raised. And although some energies are more pleasant than others, there is always order. And this is what the Gurdjieff Movements teach us. First, as above, so below, our hearts are like suns with our limbs as planets dancing around us. Secondly, although there are many different energy configurations, there is always order. You only need to be atuned to these energies in order to be able to experience the order. Otherwise you perceive chaos.

With help of the Movements you learn the cosmic dance by aligning yourself with cosmic energies. By disciplining the movements of your Self, you train away your inefficiencies, become archetypical and slowly attune yourself to the energies of the universe. You experience the mystical experience of being a part of the cosmic soul. And because as above is so below, as a consequence you will have attained your soul.

Ecstatic dancing tower exchange

Waarom ik zo hard dans?

Ik put mijn ego uit: mijn lijf, mijn emoties, mijn gedachten.

Zoals de Toren uit de Tarot.

Springend afbrekend, steen voor steen.

Daarna bouw ik de toren weer op en herstel ik de toren van Babel in ere.

De Watcher kijkt uit over het land.

Amen

Towers.JPG