Interstellar Videotape

  • A tribute to one of the best movies (Interstellar) and songs (Videotape by Radiohead) I have known in the last ten years. 

Since I have written two articles about the song Videotape by Radiohead, this should be no surprise that a third article would appear about this Great Song. One of the previous articles speculates about its mysterious meaning (see footnote 1).

The Great Movie Interstellar however added a new, lovely and intriguing viewpoint to this article. Not only would we have consciousness after our death, we could also be in contact with our loved ones as well. This is not an unique viewpoint: there are many tales about lamps suddenly flashing when people speak about their deceased relatives.  But what makes the movie Interstellar intriguing, is that it almost scientifically explains why this is the case: after death no longer matter remains. However, with help of gravity and most importantly love, there might be means for communication after all. Interstellar goes even further. In the movie, the main character contacts his daughter in order to give vital information about how to save the human race from extinction.

Since both the song and the movie seemed to complement each other, I edited clips of the movie Interstellar under the song Videotape. And I must say: I am not displeased by the result. 🙂

 

  1. https://irkodel.wordpress.com/2017/04/14/radioheads-videotape-as-a-hopeful-akashas-record/

Note to self love – erken je negativiteit

Gisteravond was ik om iets kleins gefrustreerd. Een vriendin van me zei: ‘frustratie sta je zelf toe, toch?’. ‘Yep’, kon ik alleen maar reageren.

Vanochtend dacht ik daaraan terug. Ik moest ook terug denken aan toen ik 20 was en ik kort anti-depressiva nodig had. Ja, ik was van mijn negatieve gedachten af. En op dat moment was dat belangrijk. Maar tegelijkertijd was ik ook van mijn positieve gedachten af. Ik voelde mij net een zombie. Intuïtief wilde ik dit niet. Niet lang daarna ben ik naar een hobbywinkel gegaan en heb schildersspullen gekocht. Ik ben gaan schilderen en heb mijn negatieve gedachten en gevoelens aan het papier toevertrouwd. Leuk of mooi was het zeker niet! Maar ik gaf wel erkenning en ruimte aan wat er was. Jaren later heb ik terug gekeken naar die schilderijen en gezien dat onder de lelijkheid, grote schoonheid verborgen zat. Vandaag de dag uit ik mij door middel van dans, maar het principe is hetzelfde gebleven: maak contact met wat er is en transformeer het door middel van creativiteit.

Als ik iets ‘verkeerd’ heb gedaan gisteren, was het dit: ik had mijzelf ruimhartig toe moeten staan gefrustreerd te zijn. Want ja, als het moet kan ik mijn frustratie onderdrukken. En als het te lang duurt (zelfmedelijden) moet je ook ingrijpen. Maar je negativiteit de facto onderdrukken is uiteindelijk geen heilzame weg. Want negatieve emoties blokkeren kost je uiteindelijk, linksom of rechtsom, ook je positieve emoties.

Laat dit nu ook de reden zijn van mijn frustratie van gisteren: ik had heel hard gewerkt gisteren en een dansfeestje waar ik mij op verheugd had ging niet door. Een kans om mij te uiten ging verloren en daardoor had ik een baalavond. Maar vanochtend, door mijn frustratie te ervaren  en te erkennen heb ik wel deze note to self love kunnen schrijven.

erken je frustraties.JPG

Our tragedic misconception of threesomes

Lately I have been intrigued by threesomes. Maybe it has to do with my curious nature, the period of the year (spring, Gemini), but most notably by the Interpol song ‘No I in threesome’. On the first outset this song is a superficial and dark love song about a guy who tries to convince his girlfriend to have a threesome. But there is something more to the song. It intuitively fascinated me and after listening to the song 10+ times the image of The Lovers appeared. It changed the perspective of the song 180 degrees: now, still being in a relationship crisis, he suggests letting their separate two egos’ go and unite to realize the ultimate connection: the alchemical marriage.

Literally the song is about a relationship in demise. He thanks her for her support in the past and he describes their deadlock. As a result of the crisis they fight a lot. So what do couples do when they are in a relationship crisis? They take the risk and make a jump forward in the deep. Some couples make a third by getting children. Or more superficially in this song, they include someone else to spice things up sexually. It is a new, exiting, but often disastrous final chapter in relationships.
AM1.png

Seen from a spiritual perspective, however, the current roles in the relationship are finished, but not necessarily the relationship itself. The singer sees this clearly. He sings:

‘You feel the sweet breath of time
It’s whispering, its truth not mine
There’s no I in threesome’

Intuitively he knows that they need to make a jump in the abyss if they want to continue their joint spiritual development (they could stay together but then they would stop developing themselves). He knows that they need to give themselves up in order to truly become one: 1 + 1 = 3. He hints at a profound spiritual truth.
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The singer seems to refer at the alchemical marriage of the king and queen as described for example in the Rosary of the Philosophers.  (https://en.wikipedia.org/wiki/Rosary_of_the_Philosophers ). This is a pictorial alchemical process consisting of 20 steps (which are depicted here between the text blocks). In it a king and queen give themselves up in various stages only in order to recombine again on a higher arc. They depict the alchemical hieros gamos. This is the magical 1 + 1 = 3! Usually this is to symbolize an internal path of development, but it can also be extrapolated to relationships as well.

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The song is tragic, however. Because, although the singer feels that something must be done in their relationship, but he doesn’t know how. He is no alchemist. The cost of raising the issue and failing the challenge is tremendously high: it will cost them their relationship. The singer of the song seems to know subconsciously that he will fail: if he was optimistic he would have called the song ‘No I in three’. Now it is threesome. It is the tragic ‘No’ of I in three.

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This song describes a sad reality of relationships in our society: we don’t know how to realize the fabled alchemical marriages. As a result many relationships are ‘stable’, create 3’s by means of offspring, have superficial sexual encounters instead of spiritual unification. As a result most lovers don’t realize their higher potential in the relationship by losing their I but gaining a three.